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PoetryBones blog offers generative writing sessions to boost your writing practice in poetry, creative nonfiction, memoir, even personal development. See  ABOUT for more information on this writing practice.  CONTACT PoetryBones to inquire about joining a live writing session via Zoom; new cohort groups are forming.  ​ 

Poetry Experiment: Writing Between the Lines

3/12/2020

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Source: alcrego.tumblr.com
     This poetry writing challenge was authored by John Cotter for "What Sparks Poetry" a serialized feature at poetrydaily.com where poets explore experiences and ideas that spark new poems.
     PoetryBones members were asked to bring two poems to the session -- poems that they loved but that were also relatively new to them.  As Cotter suggested, they printed out the poems with triple spacing.  Here is how the prompts unfolded:


Poem Prompt: part 1

In the empty space between each line of the poem you brought to the session, write a response line of your own – a line that responds only to that one line of the poem.  Write like this for 10 minutes.

Poem Prompt: part 2

Once you have a response line for each line of your poem (let’s call it poem A), discard Poem A and build a new poem of your own (let’s call it Poem B),  made only from the response lines. Write like this for 10 minutes. Note: if you feel like your Poem B is evident, then repeat the challenge with your second poem. In this way, you will be writing two new Poem B’s.

Sample Poems

The sample poems aren't direct products of the prompt. Instead they are poems that harken to another poet's style or rhythm or voice.  For example, for me, Danez Smith's poem "my president" echoes Walt Whitman's "I Hear America Singing" for its shoutouts to everyday American people in their states of work or honesty or valor.  It favors a few of Whitman's "Os" like O captain! My captain!   It even makes me think of Carl Sandberg's FROM THE PEOPLE, YES, but I can't think what, exactly.  Can you?  Let me know.
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Something Extra

PoetryBones writers choose from these poets/works:
​​Philip Larkin 
Paul Lawrence Dunbar
Eiléan Ní Chuilleanáin "Swineherd"
Mary Oliver "Wild Geese"
Charles Simic "Empire of Dreams"
Gerard Manley Hopkins "Spring and Fall"
Theodore Roethke - "The Geranium"
Lucille Clifton "Won't You Celebrate With Me?" 
Frances Ellen Watkins Harper "The Slave Auction" 
Chen Chen "Night Falls Like a Button" 
Brynn Saito "How to Tell the Truth" 
Maya Angelou "Phenomenal Woman" 
Chief Dan George "My Heart Soars"
William E Stafford "At the Un-National Monument along the Canadian Border"
Anna Swir "Happy as a Dog's Tail" 
Solmaz Sharif "Beauty"
Joy Harjo "How to Write a Poem in a Time of War"

Writer's Feedback

—Writing response lines was insight to the inner thoughts of the reader
—This exercise riggers inner thoughts and you are in the world of the poem more
— Imitation writing stretches my writing because it proposes words I wouldn’t have chosen
— I found myself responding to the lines but still staying in the storyline I was developing, meaning I was developing the "thread" of poem B while I was simultaneously influenced by the lines of poem A 
—Confused while I was writing.  Not being a poet or not ever imitating another poet, I wanted to know where the exercise was headed or why we were doing what we were doing
— Didn’t know if I was responding to the content or the emotion or what specifically in each line

Share your experiences in the comments section.
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Writing Prompts: Mistakes & Mistaken

3/5/2020

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Free Write Prompt

Tell me about a mistake.  Tell me about your favorite mistake.  Write for 10 minutes. Ready? Go.

Example Poems

Made A Mistake 
by Charles Bukowski
 

I reached up into the top of the closet
and took out a pair of blue panties
and showed them to her and
asked "are these yours?"
and she looked and said,
"no, those belong to a dog."
she left after that and I haven't seen
her since. she's not at her place.
I keep going there, leaving notes stuck
into the door. I go back and the notes
are still there. I take the Maltese cross
cut it down from my car mirror, tie it
to her doorknob with a shoelace, leave
a book of poems.
when I go back the next night everything
is still there.
I keep searching the streets for that
blood-wine battleship she drives
with a weak battery, and the doors
hanging from broken hinges.
I drive around the streets
an inch away from weeping,
ashamed of my sentimentality and
possible love.
a confused old man driving in the rain
wondering where the good luck
went.

Source: artvilla.com

After the Dinner Party
By Adrienne Su 
 
Dropping napkins, corks, and non-compostables
into the trash, I see that friends have mistaken
my everyday chopsticks for disposables,
 
helpfully discarding them alongside inedibles:
pork bones, shrimp shells, bitter melon.
Among napkins and corks, they do look compostable:
 
off-white, wooden, warped from continual
washing — no lacquer, no ornament. But anyone
who thinks these chopsticks are disposable
 
doesn’t live with chopsticks in the comfortable
way of a favorite robe, oversized, a bit broken.
Thin paper napkins, plastic forks, and non-compostable
 
takeout boxes constitute the chopstick’s natural
habitat to many I hold dear. With family or alone,
I’ll maintain that chopsticks aren’t disposable,
 
but if I can make peace with the loss of utensils
when breaking bao with guests, I’ll be one of them,
not digging in the napkins and corks. Compostable
chopsticks are the answer: everyday and disposable.

Source: poetryfoundation.org
​

Poem Prompt

Write a “mistake”  or “mistaken” poem.  Strive to create a flow and some urgency with the prose poem format, or create paced and measured movement with stanza breaks and repetition.
​

Something Extra

Everything is Waiting For You
By David Whyte     Hear the poet read at On Being

Your great mistake is to act the drama
 as if you were alone. As if life
 were a progressive and cunning crime
 with no witness to the tiny hidden
 transgressions. To feel abandoned is to deny
 the intimacy of your surroundings. Surely,
 even you, at times, have felt the grand array;
 the swelling presence, and the chorus, crowding
 out your solo voice. You must note
 the way the soap dish enables you,
 or the window latch grants you freedom.
 Alertness is the hidden discipline of familiarity.
 The stairs are your mentor of things
 to come, the doors have always been there
 to frighten you and invite you,
 and the tiny speaker in the phone
 is your dream-ladder to divinity.

Put down the weight of your aloneness and ease into the
 conversation. The kettle is singing
 even as it pours you a drink, the cooking pots
 have left their arrogant aloofness and
 seen the good in you at last. All the birds
 and creatures of the world are unutterably
 themselves. Everything is waiting for you.

Source: From a Selection of Poems at davidwhyte.com 
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    Christine curates the POETRY BONES blog and hosts the weekly live writing practice. Contact her with inquiries.

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